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Sick
By Sarah Pekkanen
Living in a basement in Potomac—miles away from
their home, friends and routines—has left the Brilliant
family frazzled, drained and eager for their renovation
to be over
Myron Brilliant had a busy day ahead of him. He'd just
wrapped up an early morning workout at Bethesda Sport
& Health Club, and now he had to rush to be on time
for a day crammed full of meetings in Washington at
the U.S. Chamber of Commerce, where he works as a vice
president. There was just one problem.
He wasn't wearing any pants.
Myron picked up the phone and called his wife: "Jenny?
I did it again."
Somewhere along his route from his temporary home—Jenny's
parents' basement in Potomac—to the gym on Montgomery
Avenue in Bethesda, the bottom half of Myron's suit
had slipped, unnoticed, off its hanger. As Myron waited
for Jenny to bring him new clothes, he phoned his office
to announce he'd be late—again. Then he began
counting how many weeks remained until his family could
finally go home.
When the Brilliants moved out of their 100-year-old
Chevy Chase farmhouse in January so contractors could
gut and rebuild it, they knew things would be tough.
Living with Jenny's parents would be an adjustment,
as would be absorbing the cost of their $600,000—plus
renovation and addition. But they didn't expect it to
be quite this bad.
"I'm in need of intensive therapy," Jenny sighed one
recent afternoon, fresh—or not so fresh—from
her usual weekday rounds: Dropping her two oldest kids
at school in Chevy Chase. Dragging 2-year-old Eric to
a tile store to stare at seemingly endless shades of
earth-toned porcelain. Stopping by her house around
noon to check on its progress while she waited for the
school bus to deliver her daughter Liza, 5, from kindergarten.
Driving back to Potomac so Liza and Eric could have
lunch—then retracing their route to Bethesda to
pick up 8-year-old Andrew at 3:30. And, finally, heading
once again to Potomac.
If it's true that the little stresses in life are what
kill you, Jenny thinks, then she and Myron should probably
start picking out their headstones.
Take the other morning: Jenny was backing her minivan
out of the driveway and felt the van crunch into something,
but she was distracted and rushed and she figured it
was a recycling bin. So she kept backing up and crunching
until she realized: It was Myron's car.
The strange thing is, neither Jenny nor Myron seemed
the slightest bit perturbed about the accident. On their
list of concerns, a dented car ranks far below the stress
Myron feels when he gets stuck in bumper-to-bumper traffic
after putting in a 12-hour-day at work, or the frustration
Jenny feels when she agonizes over the perfect wood
floor only to have Myron veto it, or the sympathy they
feel for Andrew, who misses the neighborhood friends
he used to play with nearly every afternoon on the street
in front of his house.
Jenny and Myron miss the rhythms and relationships of
their neighborhood, too, which is why they still drive
to Bethesda to use the dry cleaner who always greets
them like old friends, and why Myron keeps working out
at the same gym. ("I just got another call from him,"
Jenny sighed recently. "He forgot a shoe.")
They just need to hold on a little longer, Jenny and
Myron keep telling themselves. "One of the things that's
hard is I see other houses popping up overnight all
over the neighborhood," Jenny says. "Our neighbors are
kind of chuckling and saying, 'What's taking so long?'"
That's probably not a question Paul Connolly would welcome
right now. Connolly, the perpetually harried project
manager for Prill Construction, is overseeing the Brilliant's
renovation.
"Look at this wall," Connolly says, jabbing his index
finger into the wood that once held up the back of the
Brilliant's house. The wood crumbles under his touch
and fragments fall to the ground. "Termites," Connolly
says grimly. "We'll have to stabilize it with new wood."
That wasn't in the original plan; nor were the heavy
rains that fell this spring and created a wading pool
in the Brilliants' newly dug basement. "It means an
extra day or two here, an extra day or two there," Connolly
sighs.
But he knows how desperately the Brilliants want to
come home, so he's determined they'll move back in August—even
if it means late nights and weekends for his crews.
Speaking of crews, Connolly needs to get one to the
house pronto. Because Connolly and architects Jim Rill
and Kay Kim just spotted a problem—one of the
beams rising out of what will be the Brilliants' new
kitchen needs to be lowered by several inches. Connolly
gets on his cell phone and, miraculously, tracks down
a team who promise to bring a blowtorch to the house
and repair the problem within the hour.
As Connolly paces the partially framed addition to the
Brilliants' house, issuing instructions on his phone,
Jenny—who has popped by to chat with Rill and
Kim—leafs through her plump three-ring binder
that's filled with timetables and contracts and photographs
of kitchens and bathrooms. She and Rill flip through
pictures of a kitchen faucet before settling on the
perfect one, then Jenny hands Rill a sample square of
the tile she has selected for the master bathroom floor.
It's an unusual choice: black, distressed porcelain
that looks more like wood. "It's kind of eccentric,"
Rill says, moving the square into the sunlight, then
folding his arms as he stares at it.
"It's got an Asian feeling to it," says Jenny, who's
confident in her taste. A degree from a Manhattan art
school and 13 years spent working as a graphic designer
will do that for you.
"I think," Rill finally says, "it might look pretty
cool."
And when Jenny lays the tiny, earth-colored tiles she
has chosen to line the shower walls next to the black
porcelain, the colors and textures are utterly unexpected
and unusual—and stunning together.
Next Jenny pulls out a sample of her mustard-green kitchen
cabinets. Although Jenny had initially longed for the
clean lines of an all-white kitchen, her kitchen designer,
Robin Lynch, gently explained that kitchens don't stay
white when you have three kids.
A truckload of the cabinets is scheduled to arrive in
late June, which could present a bit of a problem, since
the kitchen won't be prepped for cabinet installation
that soon. When Robin informed Connolly of the schedule,
he gave her a "look," Jenny recalls. Then Connolly mentioned
they could store the cabinets on the front porch and
wrap a tarp around them. Robin shot him a look of her
own, said Jenny, who just felt relieved that it wasn't
her and Myron bickering for once.
By now, she and Myron have resolved their differences
on the wood floors. There was a home show this spring
at the D.C. Convention Center, and Jenny hurried inside
and selected oak boards reclaimed from an old barn—while
Myron circled the block in the minivan, with little
Eric asleep in his car seat.
Poor Eric, Jenny thinks. The little boy has been dragged
to so many home stores and tile showrooms these past
few months. If weren't for Jenny's parents, who generously
offer to baby-sit on many mornings, Eric would also
have to suffer through seemingly endless Potomac-to-Chevy
Chase runs.
But Jenny knows that Eric—a happy, active toddler
who isn't easily dissuaded by the word "No!"—tires
out her parents. She feels guilty when she asks them
to baby-sit, and she feels guilty when, after putting
the kids to bed, she collapses on the basement pull-out
sofa. She knows her mother would love it if Jenny would
come upstairs to talk and play the board games they
both enjoy. But by nighttime, Jenny feels too exhausted
to do anything but stare at a movie.
Then one day Myron telephones Jenny with an incredible
invitation: He has a business trip over Memorial Day
weekend, and he wants to bring her along. To Paris.
Jenny has never been to Paris. She imagines strolling
its romantic old streets with Myron, and sharing a bottle
of wine at a sidewalk café while the stresses of the
past few months wash off them. Then she thinks: How
can she ask her parents to baby-sit for a long weekend,
when they've done so much already? How can she leave
for a vacation when their lives are in such upheaval?
Paris, she decides, will have to wait. For now, it'll
be enough for Jenny and Myron just to go home.
Chevy Chase writer Sarah Pekkanen has written for
the Baltimore Sun, the Washington Post
and People.
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