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Honorable Mention - High School Category
Contingency

By Melissa Joy Meyers

I took a walk in the snow today so I could try to remember that soft static sound that snowflakes make when they float through the air. All it made me think of was that Valentine’s Day when you and I got snowed in together. There was that delicate layer of ice over the snow, we looked like plain fools trying to skate across it in your backyard, balancing our weight and trying not to fall into the wet, icy mess that lay beneath. And we snuck into that old rickety hay barn your mom never let us go into “because it’s just not safe, damn it” to play card games like War and Fish and there was that sweet smell of straw. When we laughed, the warm air came out of our mouths in short little bursts of funny visible song. Then we left and you chased me down to the lake behind your house, me screaming and hollering all the way. And we finally made it to the bank and we fell back onto the snow, closing our eyes, pretending that something other than the crunchy snow would break our fall. And we lay there in that watery blueness of night with some purple clouds and a yellow moon and stars like grains of sugar in the sky. You said that us holding mittens and looking up at the sky, just like this, could be the album cover for some acoustic artist. We held mittens all the way back up to your house where your mom told us that “we’d better not get snow on the damn carpet” so we made Argentinean smoked tea and English muffin sandwiches with maple sugar and took them up to your room where we watched Raising Arizona and laughed under the covers all night with the moon flashing down at us.

Before it got cold enough for the lake to freeze, it had been autumn and we had been sitting on park benches listening to “Blood on the Tracks” and watching the leaves turn into colors that can only be replicated in a 96-crayon Crayola box. We ate clementines in my garden and talked about how plants are born underneath the ground and rise above the dirt only to fall back into the mud in the end. It was windy and I told you about trains I had once seen and you talked about your old house with its bats and its pool. That was the day I found that picture that you drew of me that you didn’t want me to see. I asked why you drew it and you said give it back and I said that it was a picture of me so that meant it was mine. You called me illogical and I called you an artist and then we held hands and we didn’t call each other anything else.

You always told me that spring was your favorite season and I never quite knew why. Those silly dainty flowers growing everywhere and all that hope and bunnies and rejuvenation were just too much for me. What I did like, though, was how the baby buds on the trees made the branches look like they were spray-painted with lime green. But that spring, even the first stem of a tulip crawling out from the dead leaves didn’t make me feel better about anything. You told me that I was just making myself sad, that they invented the postal system and cell phones and email for people keeping in touch and that we were going to use all of them. The night before I left our mountains and our lakes and our trees, our Vermontan town, Joppa Magnolia, before I took the train out to Oregon, I cried and cried and clung onto your shirt. You told me to stop, that I was going to make you cry too, that best friends never really say goodbye, that this wasn’t any sort of end.

The next morning we woke up and ate banana waffles and packed my stuff into your station wagon. Even the sight of my 88-year-old neighbor Frank chopping the wineberry vines that had crept up on his mailbox with a machete couldn’t make me smile as we drove away. I could hear my train way before I could see it, singing that long and lonely song. You bought me a Vanilla Coke and a paperback mystery in the station for my ride and I forgot to thank you because I was too busy thinking that it wasn’t too late, that I didn’t have to go so far away. I could call my landlord in Oregon and tell her to shove it, we could buy that apartment we looked at and live together and go to a community school. But then my engine rolled in and you walked me out to the platform and before I knew what I wanted to say to you, we were kissing, your mouth on mine, telling each other what all the words in the world couldn’t, no matter how long we stayed on this platform. And I picked up my bags and got on the train and told you thank you from the door, even though I was grateful for a lot more than the soda and book. I got a window seat that seemed too small and the train smelled like it had been running all night and I looked out the window to watch you as I rolled away. You were crying.

And now it’s summertime and it’s hot everywhere, parts of me sweat that I didn’t even know existed. In a couple of weeks, we’ll get together and drive too fast and sleep too little. I’ll take you to cheap motel diners at the base of extraordinarily large mountains where you’ll tell me about your painting and sculptures made out of old car parts and I’ll tell you about social working and case studies. We might go to that lake behind your house with some lawn chairs and some beers and talk about the nights that we used to camp in the backyard and read Le Petite Prince aloud to each other until we fell asleep. After a while of nostalgic laughing, we’ll stop talking and we’ll listen to the symphony of crickets all around us. I’ll ask what you miss the most about me being around here?

You’ll remind me of that time that we parked in the lot of Joppa Magnolia Park and it was snowing outside and we stayed in the car with the heat on, listening to bluegrass on the AM radio. We decided to have a conversation without words, just by talking with our eyes. We spent the better part of that afternoon looking into each other. I watched the shininess and the sparkling of you, thinking that your eyes could tell me more than your language. Then it got cold and dark and the radio program ended and you put the car in drive and we drove home, not speaking at all. I’ll nod and stare at the ground because I won’t be able to look you in the eyes when I ask you what you were trying to say. I’ll hear that genuine tenderness in your voice when you say that you were telling me how happy, how complete I make you feel. I’ll have to blink back that burning water in my eyes and I’ll get a grip on my voice so it doesn’t choke when I tell you that the day we had to say goodbye was the hardest thing I’ve have to do and everyone seems boring compared to you, sometimes I have long epic dreams and they’re always about you in the end and maybe you were the first boy I ever fell in love with, isn’t that a funny thing to say. You’ll let that beat of silence go by, then you’ll stand up and stretch and reach out your hand for me, smiling. You’ll tell me that you’ve been waiting a long time for me to come home, for us to be together again and now you’re tired and would I like to go to bed now.


Melissa Joy Meyers graduated in June from Sandy Spring Friends School and will be attending the University of Vermont in the fall.


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